Paula’s Place by James Wood
Readers who enjoyed the storyline in
E.L. James’ Fifty Shades of Grey even
as they held their noses at the writing itself, may now take a welcome breath
of fresh air. With this new series, James Wood gives us an engagingly sexy BDSM
romance framed in beautiful, elegant prose. No roaring inner goddesses here; no
titans of industry working through their childhood traumas; no dilettante
self-indulgence. Far from the synthetic grandiosity and hyper-inflated operatic
emotionalism of Fifty Shades and its
lemming-stampede of imitators, Wood’s settings and characters are pleasingly
ordinary, down-to-earth and always believable.
Though the when and where of the narrative are kept intentionally vague,
as if locked in a kind of Pleasantville
time warp, this only adds to the sense of intimacy.
The story is divided into three
more-or-less equal parts; Seduction, Surrender, and Submission, each chapter tantalizingly brief on its own, comprising
altogether little more than a very short novel.
(The three installments were published one by one over the course of
several months, with Submission
appearing in February of 2013. Each part is now available separately in e-book
format, or can be found together in a single omnibus paperback edition.)
In Seduction,
Wood invites us to share in his heroine’s journey of sensual discovery. Still
hiding in her shell after the dissolution of a long and unfulfilling
relationship, Paula moves back to her hometown to live with the aunt who raised
her. We look in on the young woman’s unbidden fantasies, born of frustration
and loneliness. We watch her growing fascination with a handsome neighbor,
which soon takes on an innocently obsessive quality, manifested in voyeurism
and, ultimately contact, capture and seduction.
Surrender ushers readers into an
intoxicating, terrifying, sublime world of uncharted erotic intrigue, where
lovers abandon themselves to the sheer joy of carnal novelty, eager to learn
each other's secrets. The title itself takes on deeper meaning as Paula begins
to discover her place in this brave new world; her deepening relationship with
the handsome writer, Max Broekner, her initiation into his very genteel
practice of ethical bondage and submission, a stylized theater of manners more
apropos the Edwardian era than the early years of the 21st century.
(Sufficiently intrigued readers may want to seek out Wood's The Doctrine of Venus, a sort of primer
to the author's unique vision of the BSDM lifestyle.)
Indeed, Wood's language and style evoke earlier, more elegant times, though he is intentionally cagey about the exact when and where of this story. It seems to occupy a sort of alternate reality; a falsely remembered realm of nostalgia in which things exist as the author would wish, not as our own mundane existence might dictate. Descriptive passages are infused with a glowing appreciation of sensuous antique luxury, reveling in opulence and tactile wonder, when polished oak takes on its own strange erogenous power, the texture of fine Dresden china the stuff of fetish, and the aroma of old books becomes an aphrodisiac in and of itself.
Submission delivers on the
promise of the earlier chapters with a fittingly steamy climatic scene. The
pacing throughout the series is subtle but effective, like the long line in a
classical symphony, building cumulative momentum through the transition from
idea to flesh, fantasy to reality; voyeurism to participation, all with a
consistent well-calculated tension resulting in maximum impact.
This is a quick, pleasant
read; an expertly crafted piece of erotic fantasy. Sexy, genial, imaginative, well-polished,
literate and likeable, Paula's Place
is recommended to fans of BDSM romance, as well as all who romanticize the
forbidden pleasures of the past.
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