Sunday, November 29, 2015

Where Nobody's Dreams Come True--a short story by TAS

At about 4,000 words, the following story will probably be the longest entry in The Moon-Haunted Heart, a collection of 50 stories that I hope to have finished very soon.

Sometimes, in spite of our deepest longings for connection, in spite of our innate compulsion to communicate—that quintessentially human need to make contact— the gulf that divides us simply proves too vast.

This story was partly inspired by my encounters with a bright, young hearing-impaired woman at the local general store, someone I’d very much hoped to get to know better. I observed that she was attractive and funny with a smile that lit up a room; intelligent, strong, and determined—all characteristics I find virtually irresistible. She could read my lips, but when she tried to point or indicate something visually, I had to tap my glasses to let her know that I couldn’t see what she was indicating. Intrigued,  I considered striking up rudimentary conversations in ASL, but ultimately had to abandon the idea due to my own visual limitations. Basically, I could sign, however brokenly, but trying to read her signing at speed would have proven impossible, and the whole endeavor would quickly have devolved into the equivalent of her talking down to a child.

This is one of the points I now understand I was trying to make in writing Where Nobody’s Dreams Come True: For a ‘disabled’ woman or man, there is no greater insult than the perception of being pitied. If, as a visually impaired person, I had the choice between being hated or pitied, I would choose to be hated without hesitation. At least, then, I could fight back and prove the haters wrong.

Information about the porn industry and its many players is almost as easy to find on-line or on film as porn itself. Centered largely in the San Fernando Valley of southern California—sometimes referred to as ‘Porn Valley’ or simply ‘The Valley’, porn is one of the most thoroughly and transparently documented of all human endeavors. From reality TV series to documentaries on individual actors (everyone from Ron Jeremy and Anabelle Chong to Belle Knox and Traci Lords—who almost single-handedly destroyed the industry by lying about her age), the foibles of The Valley have never been a secret, whence they have been grist for fiction  and mainstream cinema going back decades. That is, at least prior to the 2011 ballot initiative in Los Angeles County, requiring the use of condoms in adult films, an ordinance that put the industry into an unprecedented state of turmoil and retrenchment.

Neither is a deaf porn star something all that novel. The delightful Savannah Jane (who left the industry to pursue an advanced degree in therapy) is probably the most famous example of a hearing-impaired actress who forged a successful career. Others have not fared quite so well. The highly-exploitative video I describe in this story is based on seomething very real, which can still easily be found on-line (though, considering how angry, empty, and sad it made me feel,  I do not recommend it).

Enjoy!

TAS




Where Nobody’s Dreams Come True



Four years of film school for this? Cooped up in a crummy editing booth that smells like something between rotting pastrami and a chain-smoker’s armpit? On the up-side, in a soundproof cubicle nobody can hear you lament the utter meaningless of your existence.

I’d come out to California with such high hopes—and who ever doesn’t?— dreaming of making a name for myself, climbing onto the shoulders of geniuses like Houston and Hitchcock, Coppola, Cocteau and Kurosawa. Instead, I’m working as a de-facto wage slave for a soulless, visually-illiterate creep whose idea of high art is slo-mo snowballing after twenty minutes of DP anal. I sit here, sometimes for thirteen hours a day, editing these low-budget gonzo extravaganzas, cutting and splicing and looping and looping and looping until it feels like my whole life is stuck on a loop. Is this hell? Am I Sisyphus? No, it’s The Valley, and this is what passes for normal around here.

Believe me, this stuff stopped turning me on a long time ago. There are jaded gynecologists who would envy the clinical detachment I’ve developed over the last year and a half. How many bald-facedly infantilized miffies, photogenically epilated ball sacks and Caverject-enhanced porno-perfect peen can one normal, reasonably well-adjusted guy stare at day in day out before he starts stifling yawns? How many scenes of listless cunnilingus and up-the-poop-chute POV before it’s just another day at the office

It wasn’t supposed to be this way. Working here was only meant to be temporary, a quick something to tide me over until I could land a ‘real’ job in the ‘legitimate’ industry—a gaffer’s gofer or an assistant grip— whatever thanklessly menial thing I could find to start my way up the ladder. Never mind that I’d excelled at editing in film school and had good, even glowing references from all my profs. Nobody was willing to take me on, not even as an intern. “Sorry,” they’d say if they said anything at all, “it’s a liability issue. You understand, right?”

Oh, I got it. The message was hardly subtle, and after months of having my nose rubbed in it, I wasn’t sure I’d take a chance on me either. As far as the mainstream was concerned, I’d be lucky to end up as a member of the craft-services cleanup crew, let alone some perpetually-uncredited third-assistant butt monkey. Nonetheless, I had this nagging notion that a guy’s gotta eat, so here I am.

The deaf girl wandered into my editing suite one Monday morning, lost. She was there for what was supposed to be a quick half-day shoot, but nobody’d been at the front desk to tell her what was what, or, more importantly, what was where. I didn’t notice her come in at first. She made a couple grunting noises that might have passed for extreme throat-clearing to someone who didn’t know any better. 

“May I help you?” I asked without looking away from my work.

She made the same noise again and tapped me on the shoulder.

“What do you want?” I swiveled to face her, “Oh—”

“Heh,” she howled from the back of her throat, wagging a hand at me in greeting. Her voice was like twisted metal on a ruined violin.

“Hi,” I said, getting up from the chair, “Can you read lips?”

“Can you eat shit?” she spoke slowly as if addressing a child, and I was close enough to see the extreme frustration in her face. 

“Just asking,” I signed awkwardly.

“Sorry,” her expression brightened as she signed back, “That was mean.”

“It’s OK,” I reassured her.

“I’m not like that.”

“I didn’t think you were.”

She smiled, and the dim room seemed to light up around her.

“You sign funny,” she said.

“Like I speak with a foreign accent? Yeah. I get that a lot.”

“Where did you learn?”

“My baby sister was born with a hearing impairment.”

“You don’t see so good either, do you?”

“Not without these,” I tapped my glasses, “It’s why my signing sucks. It’s also why I have such a hard time finding work in the regular industry.”

“Tell me about it,” she smiled again, and this time the light was aimed straight at me.

“So, what was your name—”

“There you are!” Brenda from reception burst in all out of breath. “Where the hell have you been? Scott’s going apeshit! You were supposed to be on set fifteen minutes ago.”

“Brenda,” I tried to be helpful, “You’re talking at her back, and she’s—”  

“I wasn’t talking to you, Zak,” Brenda snapped, “And you’re not supposed to talk to the actors, either—or don’t you remember?” She grabbed the startled girl by the arm and hustled her back towards make-up at the far end of the building.

Technically, Brenda was right. I wasn’t supposed to talk to anybody in the cast unless it specifically involved my aspect of the production, and, even then, I was expected to run it past my boss or one of his three vice-cretins. Scott was the scumbag-in-chief, the guy with his name on the letterhead, executive producer, casting director, and ever-hopefully self-styled auteur. His coke-snorting brother Brian passed himself off as a sound director, producer, and company accountant, though it’s a pretty safe bet most of the studio’s profits went straight up his nose. Brian also stood in as the occasional stunt cock—at least on those rare occasions when he could actually still get it up. Their cousin Jason had long ago called dibs on the director of photography and chief production coordinator’s chairs, while his best buddy Rick handled the gaffer work, lighting, electrical, and anything involving the acquisition of  gray-market prescription drugs or exotic venereal disease.

It was not a fun place to work. If people already equate a pornographer with somebody who doesn’t wash his hands after going to the bathroom, my boss was more than happy to double down on the stereotype, proud that he never bothered to put the seat down or ‘aim’ either. Scott was a firm believer in volume over substance, and there would be at least three different productions on the go at any given time. The man fancied himself a brilliant editor, but mostly left the tedious stuff to me. The only things I didn’t have some hand in were Scott’s so-called ‘special artistic projects’, charitably referred to around the office—and always discreetly under people’s breath— as his ‘special autistic throwups’.

Her scenes landed on my monitor the following Wednesday morning. But for our earlier encounter I might never have given them a second look, and, honestly, I don’t know why I should have been surprised at what I saw. Take away the sound and there was nothing extraordinary about the footage. It was the kind of drearily unimaginative stuff that plays on cheap-motel pay-per-view or appears with pop-up ads on tacky internet portal sites all the time.

She was sitting on a white couch, facing the camera in a blue gingham-patterened halter top that I guess was supposed to make her look like a helpless little hillbilly girl recently arrived in the big bad city. She wasn’t what I’d refer to as strikingly beautiful. Pretty enough, though, and definitely a cut above a lot of the other girls I’d seen in the business. A nice body with tits more than adequate for the camera. Perhaps a little too much baby fat—but that jailbait look never goes out of style. She had big blue eyes and flowing black hair, her pleasing, femininely fleshy features charmingly parenthesized by long, soft-edged bangs.

All fine and good.

But hearing what the guys on that set were saying right there virtually to her face—going out of their way to humiliate the deaf chick— it was like a gang of sadistic little boys gleefully torturing a wounded animal. Scott was doing a rambling commentary about how cool it was that she couldn’t hear what they were saying about her—“Hey bitch! Can you hear me? What’s your name? HEY! I’m talking to you! Can you say slut? Can you say WHORE? Come on! SAY WHORE!” The other guys were laughing and sneering as she took a dildo up the ass. Constantly referring to her in the third person as if she wasn’t there at all, they took turns shouting at her, testing to see just how profound her deafness really was, snapping their fingers next to her ears, clapping their hands and whistling, trying to elicit a reaction—trying to get her to make some noise they could make fun of as she chowed down on an anonymous actor’s cock . . .

Somebody touched me on the shoulder and I nearly jumped out of my seat, like a guilty kid caught sneaking one of his dad’s skin mags. It was her again.

“Those mine?” she signed slowly for me.

“Yes. Just started working on them.”

“What do you think?”

“Not bad.”

“Is that all?”

“I see a lot of this stuff. Believe me, not bad is good.”

“My name’s Bo, by the way.”

“I’m Zak.”

“They’re calling me Satin Sheetz,” she pointed to herself on the screen and spelled out the words.

“That’s original,” I laughed.

“Savannah Jane was taken.” she gave me a playful wink. “Would you like to go out with me sometime, Zak?”

“You’re asking me on a date?”

“Yes. Why not? Do you have a problem with girls asking guys out?”

“Not at all. It sounds great. When and where?”

“I’ll pick you up here Friday night. Don’t forget!” she gave me a playful poke in the chest to underscore what she’d been signing, “Out in front around 7. That OK?”

“Can’t wait! See you then.”

It might have been the best thing that had happened to me since I started working in Porn Valley. Finally! Something I could actually look forward to.

Of course. I endured another lecture about not getting friendly with the cast—this one from Brian. “We don’t need people getting distracted,” he pontificated, “you or them. Besides, they’re way out of your league.”

Maybe he was right about that. But Bo had asked me out, and it was nobody else’s business. Besides, with all the extra hours I’d been putting in for the company, I was way overdue for some R&R. Brian said what he had to say while I pretended to listen. Then I headed back to the editing room as it all went out the other ear.

She greeted me punctually at 7 that Friday evening. We tooled into the city with the top down on her little pink PT Cruiser convertible, ending up in front of a place somewhere in the nightclub district. The weekend crowd was already queueing up for a good time, and we had a fair amount of our own to kill as we waited in line.

“Hey,” I signed, “Sorry about those guys at the shoot the other day. They were jerks.”

“Ass. Holes,” she said, the sounds coming out something like “Aaaahhth. Hothz” before she switched back to signing. “Stupid as fuck, too! None of them had a clue I could understand every word they were saying.”

“It wasn’t right.”

“No, it wasn’t,” she agreed, “but I don’t need you to protect me, and I don’t need you to feel sorry for me, either.”

“I don’t feel sorry for you,” I said the words aloud as I signed them. “I see you.”

The music was loud inside the club. Bo could feel the vibrations of the bass and drums, and her body moved in perfect sync with the sound. She really was beautiful out on that dance floor, so blithe and free and full of life. Her joy was infectious. I could have watched her for weeks—months, years— and never grown weary of the vision. But, of course, she grabbed my hand and pulled me onto the floor with her in spite of my protests—“I’m a terrible dancer. Not like you. You’re amazing—”

“Just feel it,” she said, “Feel it and let go! Nothing else matters!”

The evening ended with Bo putting the brakes on what had, up to then, been an extremely promising make-out session.

“I think we should wait,” she said.

“How come?” I was in a blue-balled daze of nerdish need and wanted more. But Bo was adamant.

“In the real world it has to be with somebody I love—” she signed, “—somebody I’m committed to. Otherwise it’s too much like work.

“What happened to just feeling it?” I asked. “Besides, I think I’m in love—”

“I like you, Zak,” she stood on tiptoe to kiss me one last time, “but I’m serious. Don’t worry. It’s not you. I like sex. I like it a lot. Maybe too much. That’s why I’ll put up with assholes like those guys on the set the other day. But for the rest of my life—the part that isn’t a performance— I want something better. I want something deeper. I want something real and lasting and solid.”

I told her that I understood. She sped away into the balmy So-Cal night and it was six months before I saw her again. A buddy of mine from film school and I were out stag for the evening, waiting in line at that same club just as Bo and a girlfriend were coming out. We exchanged a nod and a smile, she moved on and I thought that was that. But a second later, Bo turned around and came running back. She threw herself into my arms, practically knocking me over as she buried her tongue in the back of my throat. We set our friends up with each other, and, less than an hour later, Bo and I were in bed together, all lofty principles cast aside along with our clothes. 

People are always wondering what it’s like to have sex with a porn star, and all I can say is that it’s like having sex with anybody else. They tend to keep it simple in private; basic missionary, face to face with a lot of wonderfully intense kissing and deliciously deep touch. Not having to assume an uncomfortable position for the sake of a good camera angle allows for closeness and the kind of spontaneously unhurried love-making that ordinary mortals often only dream about. In Bo, I could see a deep hunger for connection, a longing for something far beyond the physical—though she was very skilled in that department, no doubt about it. So many people get into porn because they honestly enjoy having sex, and yet, ironically, it is the last place on earth to find intimacy.

I left her place about 5 the next morning and went directly to work. It felt as if I never stopped working after that. The projects kept coming and coming, and it was all I could do to keep up. I’d wonder about Bo from time to time, but mostly I was just too busy trying to keep my head above water to think about anything beyond the job.

Then, late one afternoon, Jason poked his head in the door.“Hey Brainiac! Get your ass over to Scott’s office, pronto.”

“What’s up?” A trip to the office usually meant that I was in for at least a half-hour of my frustrated-genius boss berating me for not being able to read his mind.

“We’re throwing a surprise party for you,” Jason said sarcastically, “All you need to know is that it’s urgent, and get your butt in gear.”

I got to the office and thought I’d walked into an intervention.  Scott and the three vice-cretins were all there.

“Drop your drawers,” Scott said as I came through the door, “Show us your dick.”

“Excuse me?”

“We need a stunt cock. Like right now. Joey bailed on us, and we’ve still got twenty minutes left to fill.”

“What about—” I nodded in Brian’s direction.

“Coke limp as usual,” Jason said matter-of-factly, “Drop your fucking pants—”

“I haven’t exactly been tested—”

“Give you two-hundred bucks,” Scott said, “cash. Just for a close-up of your little friend.”

“Who’d I be with?”

“Who gives a shit? Let’s see what you got.”

“What if I say no?”

“Then I’ll fire your ass, after which you can explain to the other actors why they’re not gonna get paid.”

“Fine,” I said, undoing my belt buckle, “when you put it that way . . .”

My penis was apparently good enough to stand in for the missing star’s, though there was some debate about whether I would need an injection to keep it up long enough for them to get the footage they needed. In the end, they decided to shoot me with a dose of Bimix before virtually shoving me onto the set.      

I came around the corner, past the temporary backdrops surrounding the bed. I was nervous as hell—though it wasn’t the roaring drug-induced hard-on I had that gave me away. I’d worked in post production so long that being on the actual set seemed unreal and somehow wrong. It wasn’t stage fright I was feeling so much as a particularly vertiginous form of dĆ©jĆ  vu. I also realized with a sudden butterfly-inducing clarity that I would be responsible for editing the material from this scene, a prospect that terrified me even more than what was about to happen . . .  

Then I saw her. 

Bo looked older than I remembered, harder somehow, no longer glowing quite so radiantly. She was lying on the bed as the make-up lady did a final touch-up on her face and pussy.

“Let’s get this done,” Scott shouted, “Everybody wants to go home.”

“You OK?” I signed as surreptitiously as possible.

“What do you think?” she asked.

“I’m really sorry about this—"

“Just get it over with,” she signed curtly.

“You two love birds gotten to know each other, yet?” Scott snapped impatiently,

“Everybody cut the crap and concentrate . . .”

I felt nothing. It wasn’t just that the cocktail of hard-on drugs they’d pumped into my pecker had done their thing and desensitized it. I was emotionally numb through the whole ordeal—and it’s not exaggerating to say that an ordeal is precisely what it was. What happened during that interminable half hour comprised a microcosm of everything that sucks to high heaven about porn. It was awkward and contrived, repetitively mechanical, virtually robotic in its utter lack of passion, clinical and cold. The only thing good or extraordinary about it was that I might have had an actual feeling or two for the girl I was being paid to fuck.

I tried to lean forward and reassure Bo with a kiss.

“What the hell are you doing?” Scott screamed, “Make-up’s gone for the night. Whose gonna re-do her face? You?”

“Sorry,” I said.

“Worst. Stunt cock. Ever,” Jason added, “One simple stinking job! Just stand there and fuck, and you can’t even do that!”

I tried to apologize again, but Scott cut me off.

“Just shut up and stop moving around. Don’t touch her. Don’t try to kiss her. Don’t get in the way of the shot. Do you understand? Don’t. Fucking. Move.”

When it was all over, I got cleaned up as quickly as I could and tried to catch Bo before she left the building. I caught up to her just before she hit the exit.

“Hey! Hey!” I tapped her on the shoulder.

She wheeled around, startled at first, then angry when she recognized me.

“You!” she made the sign like a stabbing motion, aimed accusingly at my heart.

“Look, I’m—”

“Fuck you! I don’t want to talk to you!”

“Please!” I begged. “Please, I—”

Bo was signing furiously, repeatedly slapping her hands together, clearly pissed off.

“Slow down! Slow down!” I signed, “It’s too much! I can’t keep up!”

“You’re an asshole!” she said it aloud before reverting back to signing, “I thought you were different, but you’re just like everybody else around here!”

“It wasn’t my idea,” I signed as precisely as I could, “I didn’t know it was going to be you, and they told me you—or whoever it was— wouldn’t get paid if I said no.”

“You’re lying!”

“No. I’m telling you the truth. Scott said he’d can me, and you wouldn’t get a paycheck because the shoot wasn’t going to get finished. I swear, I didn’t know who I’d be with.”

“How come you never called me?”

“What?”

“After the night we were together. How come?”

“I was so busy—”

“No texts. No e-mails. No nothing. What am I? Dog poop?”

“I’m sorry, Bo.”

“Why?” she asked aloud.

“I’m chickenshit, alright? I’m a coward. My life is going nowhere because all I do is sit in that narrow little cutting room, and it’s the only world I know. Sometimes I get so busy with it that I forget about everything else. But I also feel safe in there. I know what’s what when I’m working. There are no real surprises. It’s stupid, and it’s boring, and it kills my spirit a little more every day, but there’s nothing I don’t know how to handle. I’ve gotten comfortable and lazy because, the truth is, I’m afraid to stick my neck out into the real world."

“That’s too bad,” she signed, “It’s sort of sad, too—”

“Please—”

“—and I really do feel sorry for you, Zak.”

“Please, Bo!” I grabbed her hand, looking pleadingly into her face, too upset to sign the words, “Please, don’t leave things like this!”

“I. Can’t. Hear. You.” She spoke the words in that horrible rusty voice of hers that I would have traded everything to live with for the rest of my life.

But it was too late.

She put a period on the sentence with an upraised middle finger, turned her back, and left me alone. I never saw her again.

You don’t get into porn if you don’t seriously like sex. You don’t stay in porn if you can’t handle the shit. Still, I don’t know anybody who’s been in this business for a long time who doesn’t secretly hate it. I’ve seen a lot of starlets come and go. Most of them do one or two films with us before moving on to classier operations or getting out altogether, having earned just enough to give their dreams a decent burial before catching a bus back to wherever it was they came from. A very few go on to become stars or, at least, highly prolific artists. But even the so-called legends get lost in this notoriously voracious industry’s perpetual high-volume shuffle.

They seem like such sweet kids at the start, so bright-eyed and eager to please, so full of hope and wonder before the cynicism sets in; before this brutal, male-dominated system chews them up and casts them aside; before the pressure to perform inevitably grinds them down, or the need to maintain endurance lands them in the emergency room; before disappointment leaves them old before their time. They arrive in all shapes and sizes, colors, creeds and kinks, claiming to seek thrills and the glamour of fantasy. But few ever find what they’re truly looking for. The one thing they all seem to have in common is hunger. Not for food, but for belonging, for caring and connection.

Soon enough the wise ones learn that sex is not a substitute for intimacy. It makes a pretty lousy cure for loneliness as well—a weak palliative at best. As alcohol can help one forget for a time, sex can calm the mind and bring some needed rest to the body. It can be memorable—sometimes profoundly so— but its immediate effects are fading. And the nasty hangover of shame and regret that sometimes lingers for a lifetime hardly seems worth it all in retrospect.

I see it clearly now. Still, here I sit, endlessly editing these banal regurgitations of half-baked adolescent fuckery, cutting and splicing and looping until it feels like my whole life is a series of disjointed episodes, crudely cut together, the same scenes playing over and over— the same regrets repeated again and again. Am I Sisyphus? Is this hell? Yes. It’s the Valley, and I have nowhere else to go. 




Sunday, November 15, 2015

Review of "Libidinous Zombie" (short story collection, ed. Rose Caraway)

What a treat! And what a great trick, too; bringing together eight of some of the best—and best known— authors in the business for an anthology of erotic horror that is simply fucking brilliant; highly imaginative, consistently well-crafted, diversely colorful, scary, entertaining, sexy—oh so sexy!— and just plain fun. I suspect that Libidinous Zombie will become part of many readers’ annual Halloween tradition alongside Jack-o-lanterns, candy apples, recitations of Edgar Allen Poe, and a tour through the local haunted house.


Horror and erotica are sisters under the skin. At root, both forms are transgressive, setting out to elicit strong visceral responses by stepping outside the boundaries of acceptable, ‘polite’ behavior.  As W.J. Renehan suggests in The Art of Darkness, “. . . horror fiction effectively lifts the constraints of social, sexual, and moral codes for our entertainment." Yet, it’s interesting to note that sex in horror films is almost always a harbinger of doom. The teenagers who can’t keep their raging hormones in check are invariably the first to die a grisly death at the hands of the villain, monster, or fiend du soir. This by-now well-worn trope—a lingering vestige of punitive Puritan morality that, like a zombie, simply refuses to die— is so taken for granted in the genre that it became the basis for parody, if not outright ridicule, by the late Wes Craven in his Scream trilogy, and more recently by Joss Whedon and Drew Goddard in their meta-horror masterpiece, The Cabin in the Woods.

In the early 21st century, the zombie has captured and dominated the collective imagination like few other paranormal entities, and it’s not difficult to understand why. The zombie plays on our most fundamental apprehensions, fears and phobias; vast armies of dead things that don’t know they’re dead, corpses that won’t stay buried; a contagion from which no one among the quick is immune, no matter how watchful or cautious, normal or righteous, well-prepared or healthily paranoid. The undead evoke our reflexive disgust, forcing us to confront some of our most deep-rooted taboos; cannibalism, ghoulism, necrophilia, pure animal appetite without consciousness or conscience; social decay and anarchy. The mythos has been imagined and reinterpreted with a wide range of subtle—and often, not-so-subtle— variations, from the shambling, now almost quaint-seeming revenants of George Romero’s original Night of the Living Dead (1968) to the more fleet-footed and exponentially-more bloodthirsty hordes of Robert Kirkman’s The Walking Dead. (I’d also be remiss not to mention Edgar Wright’s hilarious genre send-up Sean of the Dead from 2004.)  

But what if a spark of self-awareness remained? A hunger for more than meat? A desire to consume human flesh in a very different way? Heightened senses, telepathy, even acute emotional awareness—albeit often confused by instinct? What could more effectively lift the constraints of normality than the quasi-necrophilic notion of sex with a reanimated corpse? For that matter, what would happen if a zombie girl—perhaps a little more than halfway through the change— walked into a butcher’s shop and applied for a job? (Rose Caraway’s claustrophobic, moody Devil Winds in which the hot late-August Santa Anna winds of southern California become a virtual character in the drama.) What if the last two survivors of a zombie apocalypse and a subsequent tsunami found themselves drifting out to sea on an improvised boat, only to discover that one of them might have been bitten before casting off?  (Tamsin Flowers’ harrowing, darkly sensual The Only Girl in the World)

Of course, more things other than zombies populate these pages. There are succubae and serial killers, werewolves, demons and vampiric wraiths, all brought to vivid, terrifying, luridly undead life by this hyper-creative cadre of writers. Jade A. Waters’  The Lucky One figuratively borrows a page from Todd Browning’s Freaks, with its portrayal of a paranormal sideshow complete with werecarnies, a thigh-dampeningly charismatic ringmaster, and audience volunteers for a live sex exhibition like no other. Something wicked and very sexy this way comes when a handsome doctor finds himself locked up with the inmates of an early-20th-century mental asylum in Mallin James’ shatteringly twisty, highly satisfying Alice in the Attic. Allen Dusk’s neo-gothic Damaged Melody conjures a storm of dark images while leaving a fair amount of mystery beyond the margins—enough to keep readers guessing long after the final paragraph.  Raziel Moore’s Spell Failure plumbs the occult with an intense, vividly-imagined, extended scene of demonic ravishment and a frightening cautionary tale of misinterpreted desire and good intentions gone horribly awry. Remittance Girl’s The Night That Frank Scored  is a delicious, macabre-ly tongue-in-cheek reimagining of the demonic-sex mythos, with a somewhat cynical, mind-reading succubus who picks up an apparent loser in a bar, only to change his life in the most unexpected and amusing of ways.  Janine Ashbless’ The Sorcerer’s Apprentice closes out the collection with an equally-scintillating story about a succubus; this one held captive by a well-heeled occultist. Needless to say, all kinds of horrifyingly orgasmic wackiness ensues when the master foolishly leaves his horny young assistant in charge for a week.


Enthusiastically recommended! 



Sunday, November 8, 2015

Review of recent erotic fiction by Korin Dushayl and Lola Bruce-James

Here is my critical take on two series that endeavor with varying degrees of success to combine elements of erotica with familiar genre forms; in this case, sci-fi/space opera, and historical fiction respectively 

TAS


Korin I. Dushayl: The Lady and the Spyder series

I have to admit, Korin I. Dushayl’s The Lady and the Spyder series has started to grow on me, notwithstanding some serious initial reservations. I have always been a sucker for space opera, ever since I saw my first episode of Gerry Anderson’s Fireball XL-5 one Saturday morning in the fall of 1962, a time when interest in space and space exploration was forefront in the collective consciousness, when the astronauts of Project Mercury were every true-blue young lad’s heroes, and the possibilities for adventure and discovery seemed limitless. Anderson’s marionettes made a deep impression on my wide-eyed four-year-old imagination, and I still had vivid memories of the show fifty years later when I purchased the complete series on DVD. Unfortunately, it’s true what people say about not being able to go home again. A kids’ series that was state-of-the-art for television in the early 1960s comes off as decidedly less magical in the early 2000s. Beyond the fact that Steve Zodiac and Venus’ strings are showing more obviously than ever (an “oops” mined for its full comic potential in Trey Parker and Matt Stone’s Team America: World Police, itself a brilliant send-up of Anderson’s technique and style), not to mention the horridly atavistic attitudes towards gender equality, the “science”, such as it was in that crudely embryonic attempt at science fiction, strikes us nowadays as unbelievably bad. To save the time and expense of putting his puppets into space suits, Anderson had the characters take “space pills” whenever they needed to go EVA (the first real space walk was still three years in the future), and there were aspects of physics and planetology that would have driven more skeptical viewers up the wall even back then.

But I digress—if only but a little. Dipping into Spyder’s Trouble, the first book in Dushayl’s series, I was rather disconcerted to discover that the strings were showing—qiote overtly as it turned out. The space-opera aspects of the story are blatantly derivative to a point where at times I thought I was reading Firefly fanfic—the only difference being that the fanfic characters cuss in Hindi instead of Mandarin. Then, too, some of the characters’ names are so poorly disguised as to make me wonder how anyone could steal with that degree of cheek and not believe they would be caught at it. (Captain Mal Reynolds becomes Varyl Malonds. Jayne Cobb becomes Bunk—as in “I’ll be in my bunk”,  while Serenity’s chief maintenance geek Kaylee is thinly veiled as Tamara, albeit now a lesbian submissive.)





I might have simply stopped reading the aptly named Spyder’s Trouble—and, for a while, I was sorely tempted to abort the effort — but something kept me forging ahead. In melding decidedly well-worn space-opera tropes with elements of reasonably tame BDSM and—more interestingly— an exploration of issues surrounding religion, patriarchy, sexual repression and theocratic hypocrisy, Dushayl managed to hold my interest with increasing ease, especially in the second installment, Spyder’s Truth, which is written with a clearer vision and more acute technical assurance than the first book. Some of the “tech” aspects are actually pretty plausible (is there such a word as “near-fetched”?) and the author skillfully avoids the common pitfall of going too “tech heavy” at the expense of a genuinely human story.

And, at root, this is a deeply human story—albeit not a romantic one. The Lady whose collar all the crew—very much including the captain—eventually wear, is a fascinating character, alluring, persuasive, shrewd, deeply intelligent, but also at times tender, caring, empathetic and wise—precisely the qualities a great Domme should possess. Each character has a slightly different relationship with The Lady, a different, often interesting, history with her, and this lends a fair amount of variety to the narrative.  All fine and good.

Worth a look.






Lola Bruce-James

An attempt at erotic historical fiction, albeit neither particularly well researched or imaginatively executed. These two barely-chapter-length pot-boilers would have benefited considerably from the slightest bit of basic inquiry into the sexual culture of ancient Rome—that is, beyond a few re-runs of the Starz network’s Spartacus series, or soft-core Gladiator parodies on “Skin-emax”. It’s not as if such information isn’t readily available. Reay Tannahill’s Sex in History has been around for over thirty years now, and even a cursory glance at the first chapter of Melissa Mohr‘s Holy Shit: A Brief History of Swearing reveals a treasure trove of insight into the sexual attitudes, mores and taboos of the time.




Yes, there were sexual taboos in ancient Rome, and some fairly rigid ideas about what was and what was not appropriate. So far from the lurid cinematic visions of orgiastic free-for-all (Bob Guccione’s Caligula comes immediately to mind), the Romans were very clear about who they would and would not fuck—and even more specific about how they would and would not go about it. Basically, pansexualism had very little to do with eroticism as we understand it, and everything to do with class domination and the maintenance of the perceived natural order. A Roman citizen’s duty was to penetrate early and oftento penetrate (and thus dominate) as many of his inferiors as possible, and this imperative was without regard to gender or sexual orientation (a concept mostly foreign to the Romans). At the same time, oral sex was regarded as something filthy, low-down and deeply, deeply depraved. Enjoying fellatio was the sure mark of perversion. Female breasts were not thought of as especially erogenous, mostly kept covered up, and seldom the focus of erotic attraction we so take for granted in our own day . . . One could go on and on . . .

While the second book is marginally better than the first, in the end, author Lola Bruce-James employs ancient Rome as little more than a convenient one-dimensional backdrop for her little skit-like portrayals of half-baked anachronistic adolescent fuckery. Too bad that in her headlong rush to dress up a stroke book in the guise of “serious” historical respectability, she misses a huge opportunity to write something that could have been genuinely interesting and even reasonably original.


Not recommended. 



Saturday, October 24, 2015

Drunk and Disorderly--a short story by TAS

Drunk and Disorderly



She is by far the hottest kindergarten teacher I’ve ever seen in my life—the smokin’-est one I’ve ever dated for damn sure. Cindy’s shoehorned into a cute summer dress that leaves her arms and shoulders bare. A tad tight around the hips, its gay floral pattern accentuates her elegant curves with beguiling efficiency. She is all legs and ass tonight, and it’s all I can do to keep my watering mouth from overflowing. I am hopelessly captivated by the subtly sculpted flow of her flesh, and the cool updo that keeps her long black hair off the back of her neck only heightens my excitement

The drunks in the parking lot would seem to agree. They’re drawn like pheromone-crazed mosquitoes, and for a moment I’m not sure we’ll make it to the car in one piece.

“Hey, buddy! Z’zhat your girlfriend?”

“Must be the full moon,” I mutter.

“Just ignore them, Colin.” She’s right, of course, and I try my best, even as the mood, so carefree and flip only a moment ago, turns dead serious. The first nauseating trickle of adrenaline enters my bloodstream, pushing a curve of latent machismo and pure old-fashioned jealousy. I’m the one who’s supposed to be protecting her.

“Or z’zhee yer shhishter?” the drunk presses.

“Sure,” I humor them with a fib, “We were just on our way to a family reunion—weren’t we, sis?”

I can already feel Cindy’s disappointment with me—but hey! I’m a guy after all.

“We llllike your sister.”

“Good for you. Now as I was saying—”

“I mean, we really like your sister, y’know?”

“Uh huh.” I’m not yet sure what sort of drunks I’m dealing with; amateur, professional, happy, mean, aggressive, sullen, querulous—or maybe something else altogether. “See you guys around, alright?”

“D'yuh hear what I shhaid, buddy?” the talkative one talks to me without once taking his bloodshot eyes off Cindy’s naked shoulders. Damn! Who knew drunks could multi-task?

“Right,” I put an incestuous arm around my fake-sibling’s waist and start fast-walking her towards the car. I worry that I’m being a little too brusque with her, that my handling’s a bit too far to the rough end of the spectrum. But it’s probably better than actually losing it.  I mustn’t let that beast out of its cage—not after things have been going so well. I’d really like to get laid at the end of the evening, and the last thing I want is her thinking I’m some kind of asshole with anger management issues—even if it might sort of be true.

The drunks shamble after us like a curious herd of housebroken zombies.

“Hey! Where ya goin’, fella?” The aggressive one—the multi-tasker—puts himself in our path, “We was thinkin’ about havin’ ourselves a little party—”

“How nice for you.” I’m trying to envision a scenario that doesn’t end with a couple sucking chest wounds or a dozen sweaty dicks up my date’s bleeding bumhole. “Good luck with that.”

“—and we’ve decided to invite your Sweet. Little. Sister.” He puts a slobbery spin on the last word, leering openly at Cindy’s boobs.

“Look man, we don’t want any trouble here. We just want to get in our car and leave . . . like right now.” I’m trying to stay calm for Cindy’s sake, but my shirt is soaked. My sweat’s like burning acid, eating through my collar.

You can leave,” the loudmouthed one says, “s’long’s she stays.”

“No way that’s gonna happen.” The anger’s rising in me now for real. “I don’t think you understand—”

“Shush,” Cindy says calmly, “let me handle this, Colin.”

I want to argue, but she shoots a furtive pair of daggers in my direction, a look that clearly says ‘don’t’, and somehow, I manage to keep my trap shut.

“Hey there, big guy!” She saunters up to the ringleader, swinging her hips like a bimbo in heat, “I’m Cindy. What’s your name?”

He has to think about it for a second.

“Uhhhhh . . . Jax. The name’s Jax.”

“Nice to meet you, Jax,” she takes another step forward, close enough to give him an eyeful of cleavage as she extends her hand. “So, what did you and your friends have in mind?”

“Huh?”

“You were saying something about a party?”

“You wanna party, baby?”

“Could be—”

“’Cause I can show you a real party!”

“I’ll bet you can,” she murmurs sultrily, “Why don’t you lean over a little so you can whisper in my ear and tell me all about it?”

“Sure baby!”

I want to vomit. It’s not just the idea of this interloping lowlife slip-sliding his filthy hams all over Cindy’s scrumptious peaches and cream, or the way he’s mildewing the inside of her ear with his sour yeasty breath, or even the fact that she’s letting him do it. No. It’s something else—something about these guys I can’t quite put my finger on . . .

I can only describe them by what they’re not. They’re not frat boys—a tad too old, not rowdy enough by half, way too quiet, and their shirts don’t match. Not bikers—no chains, no leather, and, anyway, where are the bikes?  Not surfers—well, that’s just obvious. Not a pack of Wall Street wolf cubs. The arrogance is there but it’s not the same kind. These aren’t the sort of well-dressed, self-entitled mega-douche diptards who wave a wad of cash under a pretty woman’s nose and think that buys her for the evening. Not rednecks or hipsters in spite of the bad teeth, greasy beards, and grungy flannel. Not cubicle-dwelling wage slaves, or undercover cops posing as blue-collar methheads, or anything I can think of except maybe—

“Cindy?”

She holds up an index finger to silence me. Jax is practically doubled over on top of her, bowing her upper body backwards beneath his considerable weight. She reaches down and cups his bloated crotch in her palm, whispering something in his ear as she begins to squeeze.

“Oh yeah, baby!” he roars, throwing his head back in crapulous triumph, “Wooooooo-WEE! We gonna have ourselves one hell of a party to-NIGHT! Ahhhh-OOOOOO . . .”

The other drunks take up the chorus, lifting their heads to the sky and baring their teeth—their incredibly long, sharp, yellow, great big the-better-to-eat-you-with-my-dear canines that probably haven’t seen the inside of a dentist’s office since the last time dentist was on the menu.

“Thought so,” Cindy wrinkles her nose in disgust, reaching back to pull a long pin from her hair. “You werewhack-jobs really cheese me off!”

Jax is bending back down, looking to give Cindy a hickey she’ll never forget—or survive. But the thing in her hand has magically morphed from a simple silver hairpin into a telescoping stiletto the size of a 10-gauge knitting needle. Her hair falls bewitchingly around her shoulders as the knife finds its way deep into the center of Jax’ left eye—or, at least, what’s left of his left eye.  

“You bitch!” he howls,

“Language!” she knees him in the groin, yanks the hairpin from his eye and plunges it into his heart.

“You fucking bitch!” Jax slumps to the pavement, doubled over in pain. Cindy plants a stylish but practical heel smack in the middle of his chest, pushing the last of the air from his lungs.

“Not so tough anymore, are you, buddy!” She surveys the parking lot, glaring at the cowering werewinos who remain, their own eyes now dilated more from fear than beer. “Anybody else want a piece?” She looks slowly from one to another as if to say ‘C’mon! Make my weekend!’ No takers.

“Boo!” she shouts, and the werewhatever-the-hell-they-ares scatter to the four corners of the night.

“What were those things?” I’m still trying to get my head around the casual act of manslaughter I’ve just witnessed.

She shrugs, her beautiful shoulders softly aglow in the moonlight, notwithstanding the gruesome arterial spatter down the front of her dress.

“Who knows? Probably just a bunch of garden-variety werewankers. Maybe some kind of survivalist douchebag-hipster hybrid. Whatever, they won’t be bothering us again.”

“Well, that’s good to know.”

“Hey! You’re not all weirded out, are you, Colin?”

“Uhhh no! I—”

“’Cause that would really be too bad, you know?”

“It would?

“I mean, I was having a super-nice time up until—”

“Yeah! Me too.”

“—and I’d hoped you thought—”

“Oh, god, yes! All things considered, it was one helluva great date!”

“So then, do you think you could drive me back to your place—like right this minute?”

“Huh?”

“I wouldn’t normally ask a guy after the first date, but, for some reason, I really need a shower, and your place is closer—”

“Oh . . . sure. No problem.”

“That, and there’s one other thing—”

“Yeah?”

“—I figure you’re going to find out sooner or later so . . .”

“Tell me, Cindy.”

“Slaying werethingies always makes me horny as hell.”





Wednesday, October 14, 2015

Story by TAS on the Microstory-a-Week site

My short story, SeƱor Gordo, is featured this week (October 14-20) on the Microstory a Week site. Read it here:

http://www.microstoryaweek.blogspot.com/?zx=b5b5f5ab45ba7612

Sunday, October 11, 2015

Review of 'Counsel of the Wicked: Rebel Mage Book I" by Elizabeth Schechter

Let me count the ways I like this latest offering from Elizabeth Schechter!
Counsel of the Wicked (Rebel Mage: Book 1) is an exciting, fast-paced, genre-bending m/m romantic adventure; distinctively imaginative, sexy, thought-provoking, heart-warming, compulsively page-turning, and one heck of a cracking good read. Of course, all this is what her fans have come to expect from Schechter, a bona fide mistress of the storyteller’s craft with a hyperactively wide-ranging imagination, and a no-lesss impressively puissant intellect coupled with a preternaturally acute sense of focus.   

Counsel of the Wicked is the story of Matthias, a young man living as an outcast on the fringe of a post-apocolyptic religious community under the rigid patriarchal control of an outwardly pious elder. But when the elder’s son falls in love with Matthias, the old man sees to it that the pariah is summarily packed off to a notorious correctional facility known as The School.  Suffice to say, everything Matthias thought he knew about his world and the people who govern it--not to mention himself-- turns out to be a lie.

It’s probably not wise to offer too much more of the plot, lest spoilers be revealed. But oh! What wonders (and horrors!) there are to be discovered. And Schechter has hardly begun to explore this vast and intriguing magical paracosm of hers. (I understand that a pair of sequels is in the works—a wise move, since this first installment is bound to leave fans hungry for more.)

This is genre entertainment with a brain! Above all, it’s the consistent quality of Schechter’s writing, along with the deep love she possesses for her characters that sets Counsel of the Wicked apart.  


Highly recommended.