These are the books that dazzled me, turned me on
and blew me away in 2012. While not all
of them fall strictly into the Literary Erotica category, I’ve always believed
in getting my orgasms where I find them, and a good book is truly an orgasmic
experience, regardless of where it ends up being shelved. The one thing that all these titles have in
common is a fearless originality; an adventuresome spirit—a willingness on the
part of the author to break out and try something new, damn the prudes and censors, full steam ahead. Readers rejoice!
Shanna Germain: The Lure of Dangerous Women
These are stories to be savored,
reflected upon and dreamed about, returned to again and again; and always with
that same quickening delight of first discovery. Germain's language is lithe
and lyrical, prose ravished by poetry; dark fantasies turned on subtle lathes
of light. Rare alchemy indeed; these tales are evocations of the elemental
drawn from the most exquisite strata of quantum possibility. The author
captures those infinitesimal flashes of human experience--the unconsciously
commonplace--drawing out what we know in our bones, yet could never express in
anything less than music, at least until now. Ms. Germain is fearless in
exploring the shadowy erotic impulses at the heart of some of our most chastely
cherished legends. She does not blink when the disturbing logic of her premise
is carried out to its inevitable, sometimes horrific conclusion. It is a rare
author who can so easily break out of established genre patterns to create
settings and characters with such consummate economy and soul-searing truth.
Germain invites her readers to use their own imaginations in concert with hers.
These stories take shape before our eyes as if viewed from over the shoulder of
a master artist at work on a drawing; a single boldly sketched line is all it
takes to define a whole new world; a few more delicate strokes of the pencil, a
hint of shading, bring that world and its remarkable inhabitants to
unforgettable life. We may, perhaps, be left guessing, pleasantly, at the end,
having been given only enough information as our imaginations require to soar.
Elizabeta Brooke: Never: An Erotic Retelling of Peter Pan
With Never,
Elizabeta Brooke has accomplished a rare feat in erotic literature, creating an
elaborate, extended, character-driven story that remains exciting and fresh
throughout. Clearly the product of a brilliantly fecund sexual imagination, the
story is as vivid as it is varied. Cleverly conceived, elegantly executed and
beautifully written, this book has the potential to become one of the great
classics of literary erotica. The author’s insistent emphasis on plausible
story and character development is remarkable; a probing, deeply sympathetic
exploration of her subjects’ inner lives. This takes time to do well. But like
the most exquisite foreplay, Brooke’s narrative builds deliberately, logically,
inevitably, missing no opportunity for psycho-sexual drama and
illumination. For all the magnificently
explicit portrayals of orgiastic excess and visceral delight to come, there are
no one-dimensional cardboard cut-outs or stock characters here; these are
living beings, complex and complete; each with her—or his—own set of deeply
personal conflicts and contradictions. But make no mistake; while this is
clearly a well-crafted piece of writing with genuine literary merit and
substance, “Never” is also one hell of a sexy read; a veritable smorgasbord of
sensuous wonder where we are invited to cast off our inhibitions and revel in
every exotic texture and taste. Each new scenario in Brooke’s vibrant
omnisexual universe is as unabashedly adventuresome as it is refreshingly
irreverent; no obeisance paid to taboo here; no patience for prudery, and, best
of all, no squeamish self-censorship—the proverbial lead balloon of far too
many failed erotic narratives. Elizabeta
Brooke’s Never is a nascent
masterpiece, an unburnished gem; it truly deserves to be read, seriously
discussed and widely celebrated.
Fulani: The Museum of Deviant Desires
The eleven very-short BDSM-themed stories in this
collection are sexy and cerebral; breezy, thought-provoking, laugh-out-loud
funny and utterly addictive. The author strikes just the right balance between
light fluffy diversion and crunchy intellectual substance, letting his horny
inner nerd come out to play delightfully kinky games; whimsically creating new
words and worlds even as he establishes fascinating new paradigms for the next
generation of erotic fiction. Informed by everything from Roland Barthes and
Stanislaw Lem to Nu Fetish, industrial bondage; flash fiction and on-line
piracy; underground music festivals, and those pulpy sexploitation magazines of
the 50s and 60s with their lurid cover paintings and thick black “censor bars”
redacting all the naughty bits in the grainy photos accompanying the articles,
Fulani’s stories draw their inspiration from an astonishingly diverse cosmos of
commonplace artifacts; vacuum cleaners, toasters, plumbing supplies, burned out
autos, melted plastic forms, all weirdly apt when turned to the author’s
singularly amusing purpose. And yet, there’s great beauty here, too, however
unexpected; the language can be lyrical even as it educes degradation and pain;
the poetry of domination and submission set amid dystopian landscapes of
industrial decay and urban blight. Entertaining, sexy, hilarious, Fulani’s The Museum of Deviant Desires is a
trenchant, self-effacing critique of contemporary erotic literature with its
finger firmly on the g-spot of popular culture; a treat, not to be missed.
Elizabeta Brooke: Poe
This sexy, bleak, beautiful,
occasionally disturbing short story is well worth the adventuresome reader’s
attention. Talented Australian writer Elizabeta Brooke invokes for us a gritty,
gray urban world of alienation and despair, illuminated with aching lyricism
and deep emotional insight. Brooke’s characters vividly embody W.B. Yeats’
notion that “sex and death are the only subjects that can interest a serious
mind”; Eros and Thanatos; the erotic, creative impulse and the self-destructive
death wish, not so different from one another in the final analysis. In the
author’s deep-probing vision, we find ourselves at that terrifying nexus of sex
and death; flesh and mind, introspection and lust. Perhaps most memorable and
poignant is Brooke’s portrayal of her
characters’ longing for creative intimacy—an emptiness only a true artist can
know—the poignant search for mutual understanding, the melding of inventive
minds.
James Wood: Taking Jennifer
Taking
Jennifer is the second entry in Wood’s Erotic Stories of Domination and Submission series. This taut, well-crafted story offers a new
scenario from the surprisingly introspective point of view of a passionate
female submissive. The language is never effusive or pretentious; but
reminiscent of the finest chamber music, intimate, logical, transparent,
without a single note out of place, nor a syllable wasted—extraordinary prose
by the standards of any genre. Wood has a keen eye for the most exquisite,
often unexpected details. But the true epiphany to be experienced here is in
the author’s probing, poignant exploration of his heroine’s deepest thoughts
and feelings as she suffers the agony of anticipation—more painful than her
master’s physical disciplines—the long minutes of waiting which seem to her an
eternity of unrequited need. With Taking
Jennifer, James Wood has written the kind of story with the power to
inspire a generation of talented, courageous erotic authors. Why should this
genre, so steeped in the intricacies of deep human emotions, be left to the
hacks?
Shanna Germain: Beneath Sea and Sky
Ms. Germain is as persuasively adept at
sci-fi and paranormal fantasy as she is with more poetically-tinged magical
realism and mainstream narratives; her settings, often mysterious, vaguely
alien, yet sometimes frighteningly familiar as if viewed through weirdly
distorted mirrors, turning taboo on its head and trite assumption on its heels.
She takes infectious delight in probing the darker erogenous recesses of
familiar legends and fairytales. How, we wonder, can a writer so easily, so believably
occupy her characters’ spaces—inner as well as outer? How is she able to get into their heads so
completely, so convincingly? It is, perhaps, Germain’s unfailing sense of
wonder that makes these stories so compelling. This is not a naïve or child-like
wonder; nor jaded, synthesized sentimentality, the facile façade of lost
innocence; but, rather, the inextinguishable joy of discovery; the sublimity of
the ever-new.
Adam Penenberg: Virtually True
This techno-thriller from Adam Penenberg is a frenetic
headlong rush through a colorful multi-verse of intrigue and illusion,
hard-boiled noir and high-tech magical realism; squalid dystopian nightmare and
lush cyber seduction; a cosmic data-storm of brilliant ideas and unforgettable
imagery. The author portrays a future not so very far off; unnervingly close to
present reality for much of the world; less prophetic vision than logical
projection. Into this bleak future, Penenberg’s protagonist, journalist True
Ailey emerges from the great literary tradition of smart-mouthed gumshoes and
hard-boiled reporters, though he has not wholly succumbed to cynicism. A
cyber-savant, able to navigate massive data streams manifested within virtual
reality; inside these “meta-worlds” True has no equal. But VR addiction—“mnemonia”—has
compromised his health, alienated the love of his life, and all but ruined his
professional career. Now he finds himself in the capitol of Luzonia, one of the
bleaker corners of the developing world, little more than a stringer for a CNN-like
infotainment network, itself part of the vast “corpocracy” that dominates the
globe. An old friend offers a
tantalizing scoop—a story that could put True’s career back on track—but the
friend is assassinated before he can spill the details, and True is left with
more mystery than he can handle on his own.
The search for the killer takes the form of classic whodunit with the
smartest elements of sci-fi, techno-epic and geopolitical thriller folded into
a rich, spicy mix; think Philip K. Dick at his post-apocalyptic
perception-bending best including his familiar recurring theme of the phantom
twin; the brooding zeitgeist of Alan Moore’s Watchmen, the cyber-punk whiz-bang of Max Headroom, and the artist’s unerring eye for the minutiae of
human suffering in Alfonso Cuaron’s masterful cinematic interpretation of P.D.
James’ Children of Men. The dialogue
sizzles in the best “better-than-real” tradition of Robert Heinlein, Elmore
Leonard and Raymond Chandler. But Penenberg is at his most original, vivid and
animated when describing the irrepressible life that teams in the dusty slums
and choked thoroughfares of the developing world, far below the radar of
sheltered Western consciousness. Readers will be richly entertained even as
they wrestle with the most acute questions of our times. How do we maintain our
essential human connections in an age of hyper-connectedness? How do we keep
ourselves grounded in reality when there are so many realities to choose from;
one layered thinly on top of another in a perplexing veneer of “maybes?” What defines sanity in a world where avatar
and self have become hopelessly interchangeable? How do we hold on to those
genuine but intangible lifelines to our humanity; emotion, intimacy, community? And, having “evolved” this far, what is the
inevitable next-step in hyper-connectedness? Virtually True is a riveting read that leaves us, as most
intelligently entertaining books do, with much to think about and replay in our
imagination long after our e-readers have been turned off.
Andre SanThomas: Mayia (Realm of Janos series #4)
Bad girls may not necessarily have more fun—but
they’re definitely more fun to read about. I’d guess that they’re also a lot of
fun to write about, if this engaging, well-crafted tale from Andre SanThomas is
anything to judge by. Mayia is the
fourth installment in SanThomas’ superb Realm
of Janos series, and very probably the best of the lot so far, combining
elements of classic High Fantasy saga and heart-stopping heist-caper, pagan
erotic romance and BDSM debauch. One of the real joys of this series over time
has been to observe the author’s growing maturity and command of her craft. The
writing is lovely, spare, and increasingly more direct. Having established the rules by which her
imagined realm is governed, SanThomas has begun to play with the possibilities
within those boundaries, and the results are wonderfully entertaining. Where,
in some of her earlier books, I occasionally got the sense that she was too
rigidly constrained by her own pre-established conventions, often missing
opportunities for drama and conflict; here she begins to flex her muscles as an
original creative force, recognizing what great artists have always known, that
infinite possibilities are found within a well-conceived set of limitations. With Mayia,
Andre SanThomas has given her readers an unforgettable, entertaining,
fast-paced character-driven story, and that is a literary feat in and of
itself.
James Wood: Amy’s Choice
Amy’s
Choice is a story about voyeurism and erotic dreams come
true, beautifully told. The third in a series of finely crafted short stories,
this entry offers a sensuous, colorful glimpse into the world of domination and
willing submission. At his best, James Wood is a brilliant miniaturist with an
eye for the most exquisite details, working with words as a jeweler might work
with tiny precious stones; delicately turning and polishing each facet until it
becomes luminous. The reader is enthralled by the sheer art of it; the way in
which the connection of the minutest detail to the whole is skillfully
revealed. Wood’s sentences are short,
elegant, telegraphic; reminiscent of Hemmingway or, perhaps more aptly,
Somerset Maugham at his best; and like Maugham, Wood does not judge his
characters for their kinks, or begrudge them their excesses. The language
itself puts one in mind of certain passages in The Pearl or The Boudoir,
those notorious Victorian-era pornographic magazines, utterly scandalous in
their day, though by modern standards somewhat quaint, if not downright
tame. Once enticed, readers will find
themselves happily enthralled in this lovely shimmering matrix of language and
lust. Yes, this is a story about voyeurism and erotic dreams come true; and
what may be most ingenious about it is that we have all unconsciously accepted
the invitation to watch.
Smart Smut: Hot Springs
A masterfully written, beautiful,
evocative tale with genuine literary substance, this short story is an erotic
tour de force. Set in a region so remote as to seem almost magical, a botanist
travels with an aged native shaman in search of a rare flower with legendary
medicinal properties, and finds more than she could ever have hoped for. Particularly striking is the manner in which
the author infuses the setting itself with vibrant erotic energy. The narrative
has a near-cinematic sweep to it, which in no way detracts from the
"turn-on" factor; and while the story itself is fairly simple, the
telling of it is so colorful, at times so achingly vivid, as to transport us
directly into the scene. Readers in search of a good, intelligent sexy tale need look no further.
Big Ed Magusson: Irie No Kaubutsu
Bondage
ritual meets monster-movie matinée in this intriguing short story from Big Ed
Magusson. The author has drilled deep into the shadowy vaults of the reptilian
complex to uncover mysteries of the male Id that most guys would just as soon
keep buried. Adventuresome readers will be pleasantly terrified, enlightened
and entertained by this unusual, highly imaginative foray into the steamy realm
of "tentacle titillation.”
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